We review the controversial plays of the Getafe-Real Madrid of the day 33 of LaLiga Santander that takes place in the Coliseum:
Goal annulled to Mariano (8 ')
Sánchez Martínez annulled Real Madrid's goal for offside in the 8th minute of the match against Getafe, with 0-0 on the Coliseum scoreboard. Mariano received a pass from Militao and headed for David Soria's goal. The white striker scored, but the Murcian referee canceled the goal due to an illegal position at the request of his assistant and from the VOR room, the Andalusian Munuera Montero confirmed the invalidity of the goal with the VAR images.
“It is a play very to the limit where the perspective, depending on which camera they put on you, you think it is offside or not. The first repetition seems like a goal to me and in the second I have doubts. But I repeat it again: these plays are not 100% reliable, they have a percentage of error. And the offside is in the first touch of the ball, not when it goes out, and in the repetition it seems that they have cut the play with the ball going out and not in the first touch. These plays so to the limit I would always leave what the assistant has decided “, Iturralde González explains, AS referee and the Sports Carousel of the SER.
Possible penalty from Militao to Ünal (19 ')
Twelve minutes later Getafe claimed a possible penalty in a demolition of Militao to Ünal at the edge of the area. “It is a dispute of the ball where the one who starts the contact is the striker from Getafe. The referee, in a very good position, is right not to whistle a foul,” says Iturralde.
Possible penalty from Mlitao to Ángel (79 ')
In the final stretch of the game, on the second play after a corner kick there was a possible Militao penalty on an Angel shot caught by Courtois. The VAR checked the action, but did not call the field referee to review the play on the monitor. “It is a penalty, Militao does not touch the ball. It is a referee play that if you whistle you hold on and if you do not whistle then nothing. It is a very very border play,” explains Iturralde González in the Carousel of the SER: