Lequio is fed up with Obregón's lies and his commodification of pain: "There are other ways to generate money"

Little by little, the reality that Ana Obregon has tried to hide and that this portal had already advanced: that his relationship with Alessandro Lequio it is tense The biologist denied herself this Wednesday during the presentation of The boy with the shrewsthe book that according to her her son began to write after receiving the cancer diagnosis and that she finished.

“I haven’t written to me or anything for a month and I don’t know what’s wrong with you and I don’t know if I’ve done something to you,” the actress told her ex-husband in a live connection The Ana Rosa Program with the Palace hotel, where the press conference was taking place. We do not know if Ana forgot that she had recently said in one of her exclusives with the greeting magazine that she was talking “every day” with the father of her son.

The Italian has also denied that the writings he had done Aless before dying have something to do with the story that Obregón tells in The boy with the shrews: “I have not read the book because no one has to tell me about my son’s life. But the book has nothing to do with the pages that my son left written. Ana tells her story, it is Ana’s story, it has nothing to do with it. to do with my son.”

“If the book serves to raise funds for the Aless Lequio Foundation, which are earmarked for research into Ewing’s sarcoma, that’s what I’ll take, because I see my friend’s face and I don’t want to comment on anything else. “, said Joaquín Prat this thursday in The Ana Rosa Program after seeing a summary of what happened at the press conference.

And when it seemed that the issue was going to be settled there, Alessandro would take a step forward again to make it clear that he did not agree with the commodification of pain by the mother of his son: “Joaquín, you stay with what of the foundation, and it’s clear that any money that’s generated is fine, but there are other ways to generate that money as well. For Lequio, this is nothing more than an excuse that justifies the publication of the book: “That’s what I think. Basically, the foundation is an apology.”