The unprecedented hypocrisy of Terelu, who wonders who is interested in damaging the image of Gustavo, his mother’s driver

Teresa Lourdes Borrego Campos, better known as Terelu Campos, (Málaga, August 31, 1965) has always been a storm of contradictions: she does not want to talk about Gustavo, her mother’s driver and trusted man but uses the weekly column that charges Lectures to refer to him and places him in the headline: “I hope that Gustavo’s controversy does not hurt my mother”, reads the article by the eldest daughter of Maria Teresa.

The author of these confessions admits that the week has been “convulsive” for her and her family. But the most cozy One of Terelu’s unpresentable and incoherent attitude (which is not the bad one in this film) is that he regrets having “had to read and listen to a lot of nonsense about the admission” of his mother. She seems to forget that she had to read it in the same publication where she works, and that the campaign against this Gustavo or his girlfriend Ainhoa ​​(a rising star) begins and ends in another small theater from which she also earns: in Save me.

“I can’t understand who is interested in damaging Gustavo’s image,” says the very hypocrite. Let’s see, Terelu: it was Kiko Hernandez in the program in which you intervene and sometimes present who raised that hare. It was those who make that space (those who sign your checks) who built the rundowns and who have planned the topic as an argument to gain an audience (which is what they are paid for) and it was your sister carmen borrego who has contributed (and you yourself, from the moment you participate in the circus) to fatten the nonsense of the recorded messages and turn that bullshit into a mainstay of parallel reality that raises the week in the La Fábrica de la Tele magazine . “Signaling him as my family’s mole is to hurt him and hurt us too,” Terelu repeats. And who is doing it? Your coworkers, Terelu.

“All this is destroying Gustavo,” insists Terelu while placing the subject in his magazine, fattening the matter instead of keeping silent. And then she casts doubt: “I don’t know if he was able to say something unpleasant at a meal with friends or not on some occasion,” writes the daughter of Maria Teresa Campos.

Terelu refers to the die-casters of this film that feeds the contents and the fights of Save me as “the people behind this”, as if they were television networks. “Let’s not get carried away by news that could complicate the life of a person like my mother, who needs Gustavo because he is her other son,” says Terelu while filling her double pages with this topic and her mother’s health . “I want to ask Gustavo for peace of mind and not to get carried away by a tide of very ugly comments,” she begs her mother’s assistant Terelu Campos from the magazine. “I want her to be calm and certain that my family, which is her family, we are all by her side,” she reiterates. But this Wednesday Save me returns to the charge, sends cameras to Gustavo’s house and one of the people who appears on the set (he takes turns with his sister) is carmen borrego. And they all charge. At this point, the question that Terelu Campos asks publicly is insulting: “I can’t understand who is interested in damaging Gustavo’s image.” Your classmates? Any relative of yours?