The complete story of Vargas Llosa in which he remembers the nights of “pichula” with Carmencita: “Wasn’t it delicious to undress?”

It is one of the texts that has been talked about the most in recent weeks and has finally been republished in its entirety after being discontinued. Is about The windsa story that Mario Vargas Llosa he wrote in 2021. In this story, the Peruvian Nobel Prize winner spoke of the “infatuation with the pichula” for which the protagonist of his story left his wife. His environment already saw autobiographical overtones in these lines and clear indications that his relationship with Isabella Preysler It wasn’t going as well as they seemed.

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After an intense and profound criticism of the incessant closure of cinemas and bookstores in Madrid and in other parts of the world, the author of The city and the Dogs recounted a conversation with a friend named Osorio. He told him, as he publishes in full this Thursday The Newspaper of Spain: “What do you care if they are burned (…) If all those books, magazines and newspapers are already digitized and you can consult them comfortably and aseptically on the screens of your own home”.

The writer answered him with a clear reference to his situation in Villa Meona, Isabel Preysler’s mansion: “For now, I don’t have ‘a house’ but a tiny room with its bathroom, and secondly, my computer is almost as small as an old book. His argument is not worth it to me “. As he said, the author did not find his place in the life of the Queen of Hearts.

The biggest part comes a few paragraphs later, when he starts talking about Carmencita. You have to remember that coincidentally this is the first name of the mother of her children, Patricia. He left her in 2015 to begin her relationship with Miguel Boyer’s widow. “As far as I know, Osorio never had a family (…) or, on the other hand, I barely remember my parents, with whom, I think, I never got along, and I don’t know if I had siblings or not; in any case, they have been erased from my mind, but instead of Carmencita, my wife for many years, I remember very well“.

And he added, flooded by nostalgia: “I just never talk to Osorio about her. Every night, it seems like a lie, Ever since I committed the folly of abandoning her, I think of her and remorse assails me.. I think I only did one thing wrong in life: abandoning Carmencita for a woman who wasn’t worth it“.

Later, we could say that he links reality with fiction, since Patricia has not linked her life to that of another man since then: “She never forgave me, of course, I could never make friends with herand, to top it off, Carmencita married Roberto Sanabria, my best friend until then”.

In his story, he had more words for Carmencita: “It is the only episode from my remote past that my memory has not forgotten and that still torments me. Every night, before going to sleep, I think of Carmencita and I ask her forgiveness.. She doesn’t know, of course, unless there is another life after this one and the dead entertain themselves by spying on the living.”

The author of The party of the goat He deepened his grief: “I never saw her again and, only many years after it happened, I found out about the accident in which she had lost her life. I already forgot the name of that woman for whom I abandoned Carmencita; she will come back to my memory, no doubt, though, if she didn’t come back, I wouldn’t mind either.”

Vargas Llosa did not leave the woman for whom he abandoned his wife in a good place: “I never wanted her. It was a violent and fleeting infatuation, one of those crazy things that destroy a life. For doing what I did, my life was blown up and I was never happy again.”

Then he talked about his already famous pichula: “It was a crush on the pichula, not the heart. Of that pichula that now no longer serves me for anything, except to pee. Why do I keep saying ‘pichula’, something that no one in Spain says? Force of habit, of course.”

In other paragraphs, he also shows nostalgia for his previous house, where he lived with Patricia and his children and which is located in the heart of Madrid, a few meters from the Royal Palace. He has returned to this place after his breakup with Tamara Falcó’s mother: “I sat in one of the solitary chairs in the Plaza de Isabel II, in the heart of old Madrid de los Austrias, to see if Memories came back and I found my little house that must have been by these payments. Missed her“.

And he added: “I have never been able to remember the name of the woman for whom I abandoned Carmencita. Like the address of my house, which has vanished from my memory at the worst moment. He will return, without a doubt, when he least needs it.”

It also narrates another moment of bewilderment that the protagonist of his story experienced at the Teatro Real and that is interpreted as a criticism of the spectacle society in which Preysler moves like a fish in water: “It is impossible to enjoy a concert or an opera and even a light comedy, surrounded by people who do nothing more than type or caress the tablets under their eyes and who wink incessantly around the poor spectator who went to the theater with the stupid illusion of hearing and seeing things what happened on stage.

In this sense, he ruled: “Sometimes I think that, without realizing it, what happens around me is contaminating me too and I no longer really know how to distinguish between what is culture and what takes its place in the crazy world in which we now live”.

Definitely, the renowned writer did not find his place: “All night we were surrounded by those ghostly characters, duplicating waiters or waitresses, serving the table, passing the plates with snacks and drinks, so absolutely identical to the real ones, that it became in a delirium”.

Thus, he delved again into the nostalgia for his home: “A whole day looking for my house, well, my little room, with the certainty that it was here, very close, without being able to find it. Now, at this moment, I don’t I cared about it”.

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Later, in his conversation with his friend Osorio, he also talked about sex. And there the character of Carmencita entered again: “I think that making love was something wonderful, especially when I was young. I remembered Carmencita. Wasn’t it delicious to get naked and get tangled up in bed for hours and make love when you got back from the news office where you worked?“.

In this sense, this is how he remembered his first nights of love with Carmencita: “Seeing the naked body of a girl for the first timemake love to her with the delicacy with which a poem was written then, enjoy together drunk with desire and happinessto feel that time was abolished and one reached that instant immortality that carnal ecstasy gives: how marvelous!”

After the 80s, however, everything is seen differently: “Now I am sure that sex no longer represents as much as when oneLittle by little, in those distant years, he was overcoming the taboos and veils that surrounded physical love and finally reached the sexual act as one who arrives in paradise”.

Isabel Preysler announced her breakup with Mario Vargas Llosa on December 28, the Day of the Innocent Saints, through her friend magazine and at the checkout. Her version, that of the supposed unfounded jealousy of the writer. Vargas Llosa denied it and her entourage slipped that the break was triggered by the different lifestyles of the two. In this media game has also entered Alvaroson of the author, posting a video of his father reading Madame Bovary as soon as the break was known and a photo of his parents, together, just a few months ago in Peru.