Tamara Falcó denies plagiarism and talks about ‘inspiration’: “They have left me composed and without a dress”

Tamara Falco He defends himself against the “veiled accusations” of the Bilbao firm Sophie et Voilà that he wanted to copy the design of a haute couture firm for his wedding dress. She has done it through the program Susanna Griso, Public mirrorand from its leading magazine, Hola: “They have left me what is said composed and without a dress.”

The Marquise de Griñón acknowledges that the statement from the Basque firm surprised her: “I found out from the media”, and she acknowledged that they were trying to reach an agreement on her demands for the final design: “I had no idea and I never thought we would get to this point. In fact, we were working, at least on our part, on an understanding.”

Read also– Tamara Falcó already has the blessing of Isabel Preysler with her wedding dress: “Now she likes it”

On the brand’s statement about the “inspiration” that Tamara intended, after explaining in a statement that “we feel deep respect for the artistic creation of other colleagues and our business ethics prevent us from going beyond certain limits that would jeopardize the original authorship of the design”, the daughter of Isabella Preysler He has denied his intention to plagiarize: “I categorically deny that this is true. Let’s see… How am I going to ask them to do something like that if I am the first to dedicate myself to fashion”.

Instead, the Marchioness claims to have “the utmost respect for designers and all work related to the profession, especially since I work with Pedro del Hierro”, as she explained in a telephone conversation.

It is one thing to copy and another to be inspired

The bride par excellence of this year 2023, who is going to say “yes I do” to her boyfriend, Íñigo Onieva, in the El Rincón palace, inherited from her father, on July 8 is convinced that she did not want anyone to copy anything: “Copying is one thing and working with inspirations is another, which is a common creative process in all designers who taught me even at the Marangoni school, where I studied. You learn that a creative process drinks from many sources of inspiration and what I conveyed to them were my inspirations without the intention of them copying a design”, he confirmed to the greeting magazine trying to explain what happened.

Tamara, however, acknowledges that there was tension during the dress fittings, and that the setback is serious: “Well, yes… it’s a problem… I have to start everything from scratch. I’m very sorry because what had to be a moment super special and exciting to choose the dress and try it on had become a conflict full of moments of tension”.

As she assures, the process had been completely distorted, “but, even so, I didn’t think we were going to get here”, she confirms surprised: “So I thank Sophie et Voilà for all their good wishes that she conveys to me in her statement , but they have left me what is said to be composed and without a dress”.