Party at Ana Rosa’s house with Alessandro Salem the day that Sálvame closes: absences and tears

The earthquake that supposes the death of Save me and the movements in Mediaset and its production companies (until now friends) give for a soap opera that would undoubtedly provide better audiences than the one that recently premiered on the Fuencarral network curiously titled revenge is mine and that, for the moment, roams the grid below 8% and 800,000 viewers.

Betrayals are a diamond for soap opera plots and the crueler they are, the more morbid they awaken. The situation at Mediaset is uncertain and nerves are on the surface. Some of Ana Rosa’s collaborators jump ship in exchange for the security of an exclusive contract in Atresmedia, which plays its weapons and puts as many sticks in the wheels as it can (logically), but also because they see solidity and a clear project ahead many questions about the future of Mediaset.

The decision to sacrifice Save me and reshaping the grid, the pre-electoral situation in Spain, the death of Berlusconi and the unknown distribution of his business legacy, and the stealthy but highly relevant merger with Italy to create Media For Europe in the Netherlands, there are too many variables, too many unknowns to Trust that house.

In the News they are not calm either. It has been leaked, though not confirmed, that Alessandro Salem he wrote a blank check to vincent valles and that he said no. Pedro Piqueras, at 68 years old, does not seem like he is going to resist much and John Peter Valentine he is actually directing Nius.

The nerves extend to the production companies, with the grid colonized by the different branches of Banijay and Unicorn Content. The TV Factory is defenestrated, Bulldog loses survivors and the Tangerine of Santi Botello y Pedro Revalderia It hasn’t quite regained the traction of yesteryear. Not even in Unicorn, the winner of all this hodgepodge, is calm.

Sources from Ana Rosa’s production company downplay the importance of recent departures and attribute the dropouts to a phenomenon that has been occurring at each change of season, highlighting that there are many more collaborators who remain than those who leave. But the aesthetics of the facts is what it is. Maybe the departures of Beatriz Cortázar, Cruz Morcillo and Paloma García Pelayo, all advanced by Informalia scoop, and that these journalists accept an exclusive contract for Antena 3. But the symbology of these movements makes us think.

Sources close to the “traitors” tell the film in a different way, rather as a tragedy shakesperiana a la Julius Caesar. we don’t know if Ana Rose told them that about “And you, Brute?” to the deserters but we have heard more than one person speak of tears or screams in the offices.

Yes, we can affirm without fear of being wrong that Beatriz Cortázar, Cruz Morcillo and Paloma García Pelayo They will not be this Friday night at Ana Rosa’s house, who gives a drink for her collaborators and has invited some Mediaset executives, including Alessandro Salem. Every year they celebrate an event like this at this point, but this one makes us more morbid because, in addition to the saint of Ana Rosa’s husband, it is the 70th birthday of Paul Vasily and the day of the funeral Save me, that will burn at the stake. What a night!