Ana Mena's openings win the night of the Campanadas, surpassing Cristina Pedroche in elegance

Just shy of turning 26 years old, Anna Mena He is experiencing one of the most important professional moments and tonight he demonstrated it by saying goodbye to the year with Ramon Garcia y Jennifer Hermoso. The woman from Malaga received 2024 with a big smile on her face and with spectacular styling.

The one from Estepona has worn this Zé García dress, Nicolo Beretta sandals, Bvlgari jewelry and a Michael Kors coat. Her stylist and fundamental support on these occasions, Xanti de Barros, has also been a fundamental part of this process in which the artist opted for this spectacular dress to eat the grapes.

It is a jewel piece, in green, semi-transparent, with floral lace, long sleeves, a high neck and a large opening on her right leg that enhances her figure and, once again, stylizes that potential she has. An impressive choice with which the artist has once again demonstrated her power and, most importantly, has said goodbye to 2023 to welcome a year full of successes.

One hundred hours of work

The model is made of floral lace with hand-sewn rhinestones. It is a garment with a high neck, long sleeves and a mermaid silhouette, marked by a tight pattern with openings. The side opening, to the limit of what is possible, links the skirt with the body of the piece, separated only by a few centimeters of fabric and outlined with a ruffle that starts at the waist. The embroidery work has been done on the floral framework in Italian rebrodé chantilly. The fabric is completed with rhinestones in black, platinum and emerald.

Ana Mena, with this model, probably the most seen of all that she has ever worn, has taken the openings to the limit. We are looking at an emerald green haute couture dress designed by the singer's stylist, Xanti de Barros, and for which, without taking into account the design itself, four people have worked for more than one hundred hours between pattern making and making, with hand embroiderers, without design.

Mirror, mirror… Who was the most correct?

In front of the dress with Cristina Pedroche's message, on the balconies in front of the clock of the Real Casa de Correos, Ana Mena has debuted this year as presenter of the Campanadas de TVE and there are those who think that she has passed on the left to Antena 3. The boldness of the model proposed by Ze García teaches a lot but at the same time it is true fashion, not some kind of monstrosity in which it is shown up to the groin but all disguised as ecological nonsense and such. Ana Mena's dizzying openings and embroidered fabric are light years away in terms of good taste and elegance from the model worn by Pedroche. A few seconds into 2024, after the twelfth bell, the dress has gone viral on social networks.

Ramón García, the Malaga artist's partner on the TVE set with Jennifer Hermoso, has been praised by Mena. “We have come to serve, because many people see us from their homes,” he said. The singer said she was “excited and very nervous.” “Being here is an important challenge, I am calm because you are the greatest example we have in the Campanadas,” she complimented the man in the cape.

Presenting herself almost naked with other ornaments that are not actually those given to her by the audience

Pedroche has not lost the habit of provoking with a message that whitens reality: that is, surrounding the fact of presenting herself almost naked (she is very free) with other ornaments that are not really those given to her by the audience.

Pedroche has celebrated both her motherhood and her tenth wedding anniversary as a mythological and aquatic nymph, but her grape-eating style since Antena 3's Chimes has been more of a costume than a great haute couture model.

More ridiculous than sexy, Pedroche has snuck in his sobering message, with which he hid his proven vocation for attracting attention and attracting the largest number of viewers, which is why he is there and why he charges.

Once again, she has been led to the model in question by Josie, once again, creative director of her look. The lottery of the whitewashing message that serves as an excuse this year has been won by Greenpeace, and the lesson it gives us is that it has done everything to make visible the problem of water scarcity and mismanagement in Spain. Josie and the Navarrese designer Paula Ulargui have created a style that, according to what they sold, integrates its own life into its fabrics through water and plants.

A three-piece model, but before discovering it and to maintain the excitement, Pedroche has covered the dress with a cape. The rather ridiculous shoes were made from 100% recycled wool and biodegradable or organic materials. All done to guarantee a sustainable future. In Josie's words, “an allegory of water as a resource for the creation of life.” She is inspired by a river nymph, a magical mythological being with powers that reigns in waters and fountains. An aquatic nymph who showed off her groin and enough body and skin to win the bells, which seems very good to us. But she was an eyesore.

The cape was pretty: perhaps the only elegant piece of her outfit. They said that it harbors a life of its own in its fabric. “On a base created 100% with recycled wool, hydroponic cultivation has been carried out in which the different plants of the cape have taken root, thus revealing a mantle of red amaranth to which nasturtium plants are added, covering the waist area on this occasion. “explained Cristina Pedroche's creative styling team.

For the dress, we have chosen to make it using an organic and biodegradable fabric made from gelatin, agar, glycerin and water, “an ephemeral material worked through heat that, when molded, has resulted in a dress in green tones. with transparencies”. Finally, for shoes, Cristina has opted for a silhouette with a pine wood base adorned with fastening ribbons made with cotton fibers and the same biomaterial as the dress.