Sálvame producers negotiate their possible return to Mediaset Spain after 14 months of divorce

The producers Óscar Cornejo and Adrián Madrid have managed to demolish the “sanitary cord” that were imposed in the television industry. In addition to preparing their imminent landing at RTVE, they negotiate their return to Mediaset Spain after 14 months of distancing.

Mediaset España sources explain to Informalia what The company has a new format on the table that I could see the light in the first half of 2025 and that would carry the signature of The Audiovisual Productions, the new name of the factory previously known as Studio manufacturers.

A Mediaset authorized source confirms Informalia that there has been a communication via WhatsApp between the producers and Alberto CarulloNew content director of Mediaset, and that, At the request of Cornejo and Madrid, a meeting has been requested That, for now, it has not been scheduled. Asked a spokeswoman for the producers, they limit themselves to saying that they cannot “confirm any meeting in Mediaset.”

The renewed producer lives days of enthusiasm against her landing in RTVE, where they could take care of the new evening containerplagued by heart, humor and news, under the tutelage of the director of TVE and former director of the producer, Sergio Calderón.

From the Osa Producciones they admit that they prepare “four projects, three of them daily broadcast and, in addition, in windows other than the Spanish audiovisual ecosystem.” RTVE, Mediaset Spain and Ten are some of the main candidates to host these productions.

In the case of TEN, it is not ruled out that Nor that we were shhh Experience significant changes, either in your schedule or in your team of collaborators, before the birth of the new magazine of 1.

Alberto Carullo, key on the return

The new content director of Mediaset Spain, Alberto Carullo, is playing a fundamental role in the recomposition of the relationships between the group and the duo of producers, with cornejo carrying the singing voice in the negotiations.

Carullo was already decisive for the CEO, Alessandro Salem, to rectify its decision and will accept the return of Ana Rosa Quintana in the morning. Now, I could play a similar role in the return of the ‘damn’ Cornejo and Madrid to the chain where they became the most profitable (and controversial) producers in Spain.

The return of the creators of Here’s tomato y Save me It could mean a new reduction of production hours for Unicorn Content. In 2024, this producer has already lost control of the afternoons of four after the cancellation of Four a day and the failure of Time to time.

A few days ago, Group sources denied to informalia that Mediaset Spain was valuing to separate Unicorn content from the afternoons imminently. Tar His presence could be guaranteed until June, although some managers consider that Telecinco could be more competitive with a mandatory productions, which could be feedback with the material and guests of Friday!a format that enjoys Salem’s maximum confidence, or with a substitute for Save me.

In this last stage appears Jorge Javier Vázquez, whose return to Telecinco is not ruled out. This was admitted by Carullo himself in statements to this medium. However, the relations between the presenter and mandarin productions are bad, so it is not ruled out that the Badalona communicator meets his closest friends: Cornejo and Madrid.

Cornejo and Ana Rosa: The reunion

Óscar Cornejo would return to the Mediaset universe after his break with Ana Rosa Quintana, which became evident after statements by the producer in the Tarragona Diario. In this interview, Cornejo related a recent meal with Quintana and his partner Adrián Madrid.

“She complained to us, roll ‘Look what they have done to me’, when we were already on the street. We ate together a month ago. I kicked Adrián under the table to say: ‘How strong! We have so much to learn … This lady is a teacher. He has thrown us and almost cries us.’ A victim who forgets that she is still invoking, while we are in the fucking street. This is the world upside down, “he said.

Despite his words, Cornejo also praised Quintana: “He is a great professional, an excellent communicator. I prefer to say only that he does very well because, if not, anything can bring me problems still today.”

A painful break

Cornejo has also explained the reasons for his anger with Mediaset Spain: “The only thing that did not seem good was how they managed it, how they executed the relay. It’s the only thing. The rest … well, the rest is interesting. It gives you readings. The rest is a pass. But it is not just a pass, it is a saved.”

He added that The docuserie about Rocío Carrasco was “determinant” for the changes that occurred in the chain: “He was the trigger for things to begin to happen or for things to begin to move. Maybe, at that time, not even those who driven those changes knew what everything would end. But I am convinced that it was decisive.”

The Osa opens casting to nurture its projects

The Osa Producciones has signed Gemma Carrasco as Director of Content and Cristina Ocaña as Director of Communication. He has also incorporated Miquel Ramells, who will lead the General Directorate and Production, and Javier Torres, at the head of the Financial, Legal and Commercial Directorate.

Cornejo and Madrid say that they have changed their company’s name “to continue enjoying the magic of creating all kinds of content for all types of audiences. We want to widen, grow, diversify and continue planting face to prejudices and labels.”

In collaboration with the Infojobs platform, the OSA has opened a casting to “generate a large employment bag destined to incorporate different professional profiles with which to build television of the future.”

He Selection process, baptized as TV Hunters, aims to gather the greatest television talentallowing the company to add the best professionals in the audiovisual and digital sector.

The Osa Producciones seeks directors, producers, reporters, editors, disseminators, creators of digital content and social media experts, as well as editors and graphists.

“We are ready to reimagine television and continue expanding a sector in which we have always liked to tell stories in another way. We bet more than ever to discover and create new narratives. We want to make TV, but we want to make it different: more open, more real and, above all, more ours. And we want to do it with brave, daring and passionate profiles by means, whom we are looking forward to knowing,” Cornejo and Madrid conclude.